10 The Lark Ascending WebViolin Concerto in G minor, BWV 1056R (reconstruction) Concerto for 3 Violins in D major, BWV 1064R (reconstruction) Oboe Concertos. 0.0/10 *#738419 - 0.53MB, 4 pp. 10 [20] The concerto grosso is more carefully worked out, with an independent viola part and modifications to accommodate the string soloists. *#700627 - 0.59MB, 4 pp. 6 10 *#33185 - 0.11MB, 6 pp. (-)- V/V*/V - 2014 - piupianissimo, PDF scanned by piupianissimo *#502722 - 9.43MB, 16 pp. 6 The finale, or minuet of this Concerto, has been so much admired by English composers of Handel's school, as to have to have been frequently thought worthy of imitation. 10 10 6 8 8 0.0/10 2 Bottesini. WebViolin Concerto in G minor, BWV 1056R (reconstruction) Concerto for 3 Violins in D major, BWV 1064R (reconstruction) Oboe Concertos. - 0.0/10 is close to that of the Italian concerto da camera, a suite of dances. (-)- V*/V*/V* - 5771 - Ottaviano, Recorder Solo 8 0.0/10 8 6 WebBWV 592 Concerto in G major (after a concerto by Prince Johann Ernst of Saxe-Weimar); BWV 592a Concerto in G major (an arrangement of BWV 592 for harpsichord); BWV 593 Concerto in A minor (after Antonio Vivaldi's Concerto for two violins, Op. Bach-Werke-Verzeichnis 2 (-) - V/67/V - 127 - MP3 - Lucas-coelho, I. Allegro - This second theme is later revealed to be a counterpoint to the original fugal subject. *#720900 - 11.05MB - 8:11 - *#738411 - 1.19MB, 11 pp. 6 Oboe d'amore 6 - 0.0/10 (-)- !N/!N/!N - 10244 - Heather Brailsford, PDF typeset by arranger 8 6 2 *#793820 - 0.20MB, 14 pp. 9, No. 6 In the coda, the first concertino violin restates the main theme, joined two bars later in thirds by the other solo violin and finally by repeated sustained pianissimo chords in the ripieno, modulating through unexpected keys. (-)- C*/C*/V* - 473 - Irishmaestro, PDF scanned by Unknown - 4 It incorporates the features of a Venetian concerto: the brilliant virtuosic episodes or solo violin alternate with the four-bar orchestral ritornello, which Handel varies on each reprise. 10 SFS (-)- V/V/V - 695 - Jun T, Complete Score - *#379215 - 0.05MB, 3 pp. Benrighetti (2011/11/8), Cadenza Christian Ludwig, Margrave of Brandenburg-Schwedt, Brandenburg Concerto No.5 in D major, BWV 1050a. 8 - 10 10 Allegro assai 56/315f (1778; fragment), Sonata for Keyboard Four-hands in D major, K. 381/123a (1772), Sonata for Keyboard Four-hands in F major, K. 497 (1786), Sonata for Keyboard Four-hands in G major, K. 357 (incomplete) (1786), Fugue in G minor, K. 401 (incomplete) (1782), Andante and Variations in G major, K. 501 (1786), Fantasia in F minor, K. 608 (1791) (organ, composer's transcription), Allegro in G major, K. 357/497a (1786-87; fragment), Fugue in C minor for Two Keyboards, K. 426 (1783) (transcribed in 1788 for string quartet as, Larghetto and Allegretto for Two Pianos in E, Allegro in C minor for Two Pianos, K.Anh. Concerto in C minor for Oboe and Violin, BWV 1060. 4 (-)- V/V/V - 13087 - Peter, PDF scanned by Gutenberg The first short movement of the concerto starts dramatically, solemn and majestic: the orchestra ascends by degrees towards a more sustained section, each step in the ascent followed by a downward sighing figure first from the full orchestra, echoed by the solo violins. *#700628 - 0.58MB, 4 pp. Michrond (2012/4/27), II. (-)- V/V/V - 25 - Sallen112, Clarinet 1, 2 (B) 2 10 After its statement, it is varied twice, the first time with a quaver walking bass, then with the melody itself played in quavers. *#211238 - 0.11MB - 5:17 - (-) - !N/!N/!N - 7923 - MP3 - Cypressdome, Partial Recording (EU) (-)- V/V/V - 120 - Sallen112, PDF scanned by Unknown (-) - !N/!N/!N - 3065 - MID - Bryan Balmer, MID file (audio/video) The oldest source is a partially autographed set of parts from around 1730. - *#55335 - 0.57MB, 6 pp. Its form, partly experimental. 6 (-)- !N/!N/!N - 1778 - Benrighetti, PDF typeset by arranger 10 10 4 4 (-)- !N/!N/!N - 18 - Peterbesseling, Piano 2 6 10 4 (-)- !N/!N/!N - 2378 - jgjgjg, Clarinet in B (alternate for Oboe 1) - [4] The Badinerie (literally "jesting" in French in other works Bach used the Italian word with the same meaning, scherzo) has become a show-piece for solo flautists because of its quick pace and difficulty. Perlnerd666 (2008/11/16), Complete Score 6 Taking the older 10 2 Ivdruiz (2009/12/30), 2 Cadenzas (WoO 58) 8 2 4 The material is derived from the first two bars and a half bar figure that occurs in sequences and responses. 1 in C for Keyboard and Violin, K. 6 (1762-1764), Sonata No. Concerto 6 (-)- !N/!N/!N - 2 - Pauldebra, MSCZ typeset by arranger 8 4 (-)- !N/!N/!N - 45 - Jhy, Alto Recorder 8 2 Organ concerto Switch back to classic skin, For 5 Accordions and Bass Accordion (De Bra), For Flute, Oboe, Clarinet, Bassoon and Horn (Shoji), For Horn, Trumpet and Euphonium (Messerschmidt), For Trumpet, 2 Violins, Viola, Cello and Organ (Fine), For Flute, Oboe, Clarinet, Bassoon and Horn (Kriegler), For recorder, oboe, trumpet, violin, strings, continuo, For flute, oboe, clarinet, bassoon, horn (arr), For trumpet, 2 violins, viola, cello, organ (arr), Scores featuring the bass accordion (arr), Creative Commons Attribution-NonCommercial-NoDerivs 4.0, Creative Commons Attribution-NonCommercial 4.0, Creative Commons Attribution-ShareAlike 4.0, Creative Commons Attribution Non-commercial 3.0, Creative Commons Attribution Non-commercial Share Alike 3.0, Creative Commons Attribution-NonCommercial-ShareAlike 4.0, Creative Commons Attribution Non-commercial No Derivatives 3.0, Markgraf Christian Ludwig von Brandenburg-Schwedt, Brandenburg Concerto No.6 in B-flat major, Concerto for Flute, Violin and Harpsichord in A minor, http://imslp.org/index.php?title=Brandenburg_Concerto_No.2_in_F_major,_BWV_1047_(Bach,_Johann_Sebastian)&oldid=3794104, Scores from Staatsbibliothek zu Berlin (Amalien-Bibliothek), Pages with items from edition "Bach-Gesellschaft Ausgabe (Bach, Johann Sebastian)", Pages with items from edition "Neue Bach-Ausgabe (Bach, Johann Sebastian)", Works first published in the 19th century, Pages with commercial recordings (Naxos collection), Pages with commercial recordings (BnF collection), Creative Commons Attribution-ShareAlike 4.0 License, Arnold (flute), Rennick (oboe), Saunders (violin), Source: BnF AB 62-23 - 2 Disques microsillon 33 t, 30 cm, mono, Andr Ppin (flute), Paul Valentin (oboe). 10 10 2 10 2 0.0/10 6 10 6 6 The scoring in the first allegro, in binary form, is similar in style to that of allemandes in baroque keyboard suites. 6 10 The ten concertos that had been newly composed (all those apart from Nos. and Sun. 2 2 8 4 For a recorded message with up-to-date information on hours of operation, please call 540.343.9127 10 6 2 (-)- !N/!N/!N - 48 - Jhy, Alto Recorder 2 8 4 6 *#208171 - 12.71MB, 53 pp. 4 The final menuet, marked un poco larghetto, is a more direct reworking of the minuet in the overture to the Ode. Concerto 6 (-)- !N/!N/!N - 952 - Alexender, PDF typeset by arranger 6 2 Pgfeller (2014/12/22), II. 2 2 The twelve concertos were produced in a space of five weeks in late September and October 1739, with the dates of completion recorded on all but No.9. (-)- V/V/V - 28 - Sallen112, Trumpet 1, 2 (F) 2 10 4 8 *#700626 - 0.59MB, 4 pp. - Although not counted as "symphonies" the three Divertimenti K. 136138, in 3-movement Italian overture style, are sometimes indicated as "Salzburg Symphonies" too. 8 The cuckoo effects are transformed into repeated notes supplemented by extra phrases, exploiting the contrasted sonorities of solo and tutti players. - Bach cantata 0.0/10 0.0/10 2 Violini, Oboe Concerto in D minor; Organ Concerto in D minor; BWV 1060R. Staatsbibliothek zu Berlin (D-B), Amalien-Bibliothek: #272348 is a re-edit of #16314: Page margins optimized, some staff lines restored, added bar numbers, condensed harpsichord solo, renumbered pages. This Day are Publish'd, Proposals of Printing by Subscription, With His Royal Majesty's Royal License and Protection, Twelve Grand Concerto's, in Seven Parts, for four Violins, a Tenor, a Violoncello, with a Thorough-Bass for the Harpsichord. 1125 1st Street SW Roanoke, VA 24016 Phone: (540) 343-9127 Fax: (540) 343-0065 Email: tickets@rso.com Box Office Hours: 10 a.m. to 4 p.m. Mon. The following two allegros are loosely based on the allemande and the courante. 6 *#55328 - 0.38MB, 4 pp. 6 0.0/10 *#738415 - 0.46MB, 4 pp. 6 (-)- !N/!N/!N - 4306 - Notnd, Violin Solo - 6, No. Oboe Concerto in D minor, Op. 10 Around 17361737 Bach arranged the concerto for two harpsichords, transposed into C minor, BWV 1062.. 17341738 Carl Philipp Emanuel Bach performed the concerto in Frankfurt an der Oder. minor, BWV 578 (Bach, Johann Sebastian WebWork Title Violin Concerto Alt ernative. 10 *#28031 - 0.52MB, 6 pp. Presto 8 The final gigue in binary form was left over from Op. 4 4 10 - 8 With fingering, phrasing, punctuation, and bowing marks for piano1 (solo). Jun T (2012/8/19), Complete Score Bach most likely composed them during the period 17171723, when he served as Kapellmeister in Kthen.The title given on the cover of the 8 15 in F for Keyboard and Violin, K. 30 (1766), 12 Variations in G major on "La bergre Climne", K. 359 (1781), Piano Trio in D minor, K. 442 (178588; fragment, completed by M. Stadler), Piano Trio in G major, K.Anh. 0.0/10 10 (-)- !N/!N/!N - 1407 - Notnd, Violone (Basses) 4 It alternates between two different moods: in the stately largo sections the full orchestra and solo violins respond in successive bars with incisive dotted rhythms; the larghetto, andante e piano at a slightly quicker speed in repeated quavers, is gentle and mysterious with harmonic complexity created by suspensions in the inner parts. 2 5 in F major, K. 158 (177273), String Quartet No. 10 Perlnerd666 (2010/2/6), 9 more: Oboe 1, 2 Bassoon 1, 2 Horn 1, 2 (in D, B) Trumpet 1, 2 (in D) Timpani Violins I Violins II Violas Cellos and Basses, Oboe 1, 2 - 10 Bart van Oort (2012/8/28), I. Allegro 6 *#33188 - 0.09MB, 3 pp. There is no ritornello; instead the rhythmic material in the opening bars and the first entry in the bass line is used in counterpoint throughout the piece to create a feeling of rhythmic direction, full of merriment and surprises. (-)- V/V/V - 4183 - Perlnerd666, Timpani 6 10 0.0/10 10 4 *#582133 - 14.65MB, 10 pp. (-)- !N/!N/!N - 211 - Shoji, Oboe (-)- V/V*/V - 1048 - piupianissimo, Cadenza (Preview) . and Sun. *#738422 - 0.56MB, 5 pp. 2 10 6 0.0/10 8 "Zwei deutsche Kirchenlieder" (Two German Hymns), Church Sonata No. 6 Nos. 8 Jujimufu (2006/12/26), 2 Cadenzas *#750414 - 0.11MB, 2 pp. pp. Peter (2008/2/9), Complete Score 10 Dwakretki (2015/3/4), Violin 1 In the Contredanse production, also written mainly in Vienna, some examples of program music are found, like Il Temporale, K. 534, La Bataille, K. 535, Canary, K. 600/5, etc. 1 in G major, K. 313 (1778); Flute Concerto No. Heather Brailsford (2011/8/5), Complete Score *#559693 - 0.52MB, 4 pp. Many of them were given numbers past 41 (but not in chronological order) in an older collection of Mozart's works (Mozart-Werke, 18771910, referred to as "GA"), but newer collections refer to them only by their entries in the Kchel catalogue. - Bach, Johann Sebastian: Opus/Catalogue Number Op./Cat. 0.0/10 8 4 In the twentieth century, Arnold Schoenberg, a composer openly antipathetic to Handel but at a turning point in his musical career, "freely arranged" the Concerto Grosso, Op. 0.0/10 - 10 0.0/10 4 - 2 *#09393 - 1.85MB, 29 pp. 2 The allegro, a vigorous and high-spirited fugue, differs very little from that in the Ode, except for three additional bars at the close. 6 Allegro. - 1 (1782), March in D major, K. 408/385a, No. *#489667 - 82.68MB - 20:59 - Original scans: 400dpi, color tif files approximately 5600 by 4500 pixels. 6 6 (RV 316a) 2 8 4 2 *#391079 - 3.61MB, 36 pp. In the previous year he had produced the choral work Israel in Egypt and in 1740 he composed L'Allegro, il Penseroso ed il Moderato, a cantata-like setting of John Milton's poetry. 2 6 The arresting dotted rhythms of the opening largo recall the dramatic style of the French overture, although the movement also serves to contrast the full orchestra with the quieter ripieno strings. 8 I. Allegro, with Beethoven's Cadenza (-)- !N/!N/!N - 1197 - Notenschreiber, ZIP typeset by editor WebBach, Johann Sebastian: Opus/Catalogue Number Op./Cat. (-) - !N/!N/!N - 660 - MID - Michrond, III. 4 San Francisco Symphony 2 8 0.0/10 7, K. 205/167A) (1772), March in D major, K. 335/320a, No. 0.0/10 The remaining twenty-one, listed below, are original compositions for solo piano and orchestra. 4 (-) - !N/47/!N - 339 - FLAC - Rgagnaux, I. Allegro 4 Play your instrument accompanied by high quality backing tracks recorded with real musicians. 0.0/10 Complete Performance Allegro iii. (-)- !N/!N/!N - 140 - DianaHein519, Clarinet (B) 8 *#738417 - 0.65MB, 5 pp. 0.0/10 Its gigue-like theme is derived from a fugue of Friedrich Wilhelm Zachow, Handel's boyhood teacher in Halle, to whom the movement is perhaps some form of homage. Andante iii. 0.0/10 (-)- V/V/V - 7743 - Perlnerd666, Violins II 10 Andante 6 6 4 (-) - !N/!N/!N - 1269 - MID - Michrond, MID file (audio/video) 0.0/10 6 - The source is lost, but the existing parts date from circa 1730. *#183799 - 0.03MB -? Orchestral suites 4 6 (-)- !N/!N/!N - 770 - Notenschreiber, Cellos 2 Andante Oboe Concerto in D minor, BWV 1059R (reconstruction) Concertos for 0.0/10 *#13275 - 0.49MB, 9 pp. 8 10 11 in D major, K. 251, sixth movement (1776), 6 Menuets, K. 105/61f (doubtful) (1770-71), Symphonic Minuet in C major, K. 409/383f (1782), 2 Minuets with Contredanses in F major and B, 4 Contredanses, K. 101/250a (alternative title: Serenade No. 0.0/10 - 8 in F major, K. 168 (1773), String Quartet No. *#738412 - 1.11MB, 11 pp. Oboe d'amore Andante v. Hornpipe, i. Allemande ii. - 2 The second movement is a concise chromatic fugue, severe, angular and unrelenting, showing none of Handel's usual tendency to depart from orthodoxy. 4 Voci. 10 6 2 0.0/10 The third movement is an allegro. A. Marcello Oboe Concerto in D Minor As noted in a previous journal entry, I had made a trip to Cothen where the great composer, Johann Sebastian Bach, is under the service of Prince Leopold. 6 6 2 Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 8 No. 6 8 Mozart also wrote a concertone for two violins and orchestra, an adagio and two stand-alone rondos for violin and orchestra. 8 10 6 8 Allegro iii. 10 (-) - !N/!N/!N - 1503 - MID - Michrond, Synthesized Performance 6 8 The first and the last of these six concertos, HWV 289 and HWV 294, were originally written in 1736 to be performed during Alexander's Feast, Handel's setting of John Dryden's ode Alexander's Feast or The Power of Musick the former for chamber organ and orchestra, the latter for harp, strings and continuo. 8 (-) - !N/!N/!N - 1291 - MID - Michrond, III. 8 *#344640 - 2.28MB, 29 pp. 2 - 4 (-)- V/V/V - 56687 - homerdundas, PDF scanned by UME 2 2 2 *#110131 - 6.69MB, 40 pp. 2 6 (-)- !N/!N/!N - 2149 - jgjgjg, Timpani (in D & A) 4 0.0/10 The solo and orchestral parts of the original are intermingled and redistributed in a novel way between concertino and ripieno. 2 The analysis of individual movements is taken from Sadie (1972), Abraham (1954) and the notes by Hans Joachim Marx accompanying the recordings by Trevor Pinnock and the English Concert. - of compositions by Wolfgang Amadeus Mozart 0.0/10 The second movement is a lively allegro. 0.0/10 No. Fictitious Opus 13. 0.0/10 *#516675 - 0.07MB, 4 pp. *#357736 - 0.17MB, 13 pp. *#211276 - 6.57MB - 7:10 - - 10 2 (-)- !N/!N/!N - 1943 - Notenschreiber, Engraving files (Finale) *#700445 - 0.40MB, 3 pp. 8 0.0/10 10 No. *#700617 - 2.81MB, 50 pp. 4 0.0/10 2 2 E-Mail. 2 (-)- V/C/V - 334 - JacopoTore, PDF scanned by Unknown Ochestral parts without piano (manually recorded on Yamaha CLP-480) - not quantized or digitally modified except levels. (-) - !N/!N/!N - 794 - MP3 - Michrond, III. 4 Andante v. Allegro, i. Largo ii. *#37025 - 6.52MB, 230 pp. 8 Mozart's production for orchestra is written for string ensembles (like the early Divertimenti K. 136138), as well as for wind ensembles and the varied combinations of strings and winds. *#16313 - 7.53MB, 40 pp. ?, K. 484e (fragment; with undetermined instrumentation), Clarinet Quintet fragment in F major, K. 580b/Anh. 0.0/10 WebKeyboard works (Klavierwerke) by Johann Sebastian Bach traditionally refers to Chapter 8 in the BWV catalogue or the fifth series of the New Bach Edition, both of which list compositions for a solo keyboard instrument like the harpsichord or the clavichord.Despite the fact that the organ is also a keyboard instrument, and that in Bach's time the 0.0/10 8 *#109064 - 7.16MB, 3 pp. 4 - 0.0/10 4 4 - Twenty-five years after Handel's death, a Handel Commemoration was initiated in London by George III in 1784, with five concerts in Westminster Abbey and the Pantheon. 10 10]) BWV 980 Concerto in G major (after Vivaldi RV 381) BWV 981 Concerto in C minor (after B.Marcello S.C788) BWV 982 Concerto in B-flat major (after a concerto by Prince Johann Ernst) BWV 983 Concerto in G minor (source unidentified) organ compositions by Johann Sebastian Bach 4 6 10 (-)- !N/!N/!N - 36 - Jhy, Alto Recorder 5 8 6 4 *#260928 - 0.35MB, 14 pp. 2 4 *#37030 - 0.11MB, 7 pp. 2 1. - 0.0/10 WebCello Concerto No.2 Alt ernative. 4 Piupianissimo (2019/7/21), Complete Score (scan) (EU) (Preview) 4, BWV1069, performed by. Double Bass Concerto No.6 in D major; Keyper: Romance and Rond for Double Bass and Orchestra. Allegro (EU) bach - 6 *#502716 - 28.40MB, 90 pp. 10 (-)- !N/!N/!N - 590 - Rdtennent, PDF typeset by arranger 0.0/10 homerdundas (2009/1/6), Frontmatter (scan) (EU) (Preview) The ninth concerto grosso is the only one undated in the original manuscript. 2 8 *#27460 - 0.25MB, 4 (8-11) pp. 6 8 6 0.0/10 4 6 6 (-) - V/67/V - 215 - MP3 - Lucas-coelho, 1. 4 *#750418 - 0.10MB, 2 pp. 8 *#367934 - 1.47MB, 189 pp. 6 The fourth movement is a brief largo, like an accompanied recitative, which leads into the final allegro fugue. 10 6, HWV 319330, by George Frideric Handel are concerti grossi for a concertino trio of two violins and cello and a ripieno four-part string orchestra with harpsichord continuo.First published by subscription in London by John Walsh in 1739, they became in a second edition two years later Handel's Opus 6. 20 u d-molu (Mozart), For 2 violins, viola, cello, double bass, piano (arr), Creative Commons Attribution Non-commercial 3.0, Creative Commons Attribution Non-commercial No Derivatives 3.0, Creative Commons Attribution Share Alike 3.0, Creative Commons Attribution-NonCommercial-NoDerivs 3.0, Creative Commons Attribution-NonCommercial 4.0, Piano Concerto No.7 in F major for 3 (or 2) Pianos, K.242 Lodron, Piano Concerto No.8 in C major, K.246 Ltzow, Piano Concerto No.11 in F major, K.413/387a, Piano Concerto No.12 in A major, K.414/385p, Piano Concerto No.13 in C major, K.415/387b, Piano Concerto No.26 in D major, K.537 Coronation, http://imslp.org/index.php?title=Piano_Concerto_No.20_in_D_minor,_K.466_(Mozart,_Wolfgang_Amadeus)&oldid=3812123, Warsaw National Philharmonic Orchestra/Performer, Pages with scores from the Digital Mozart Edition, Pages with files from the Neue Mozart-Ausgabe, Scores from the University of Sydney, Conservatorium Library, Pages with References to Hofmeister's Monatsbericht, Scores with citations from the Bibliographie de la France, Works first published in the 18th century, Pages with commercial recordings (Naxos collection), Pages with commercial recordings (BnF collection), Creative Commons Attribution-ShareAlike 4.0 License, Played in studio with pre-recorded orchestra, For more information about Makris Symphony Orchestra, visit. 4 *#502260 - 5.22MB - 6:09 - *#260925 - 0.18MB, 7 pp. 0.0/10 *#344639 - 0.86MB, 14 pp. In his production of minuets, Mozart generally followed Haydn's example, preferring the slow character of the dance. 4 *#473882 - 27.66MB - 11:58 - 2 Fynnjamin (2011/5/16), Complete Score Scott Greig (2011/5/14), Complete Score 6 2 8 0.0/10 2 10 *#37641 - 0.76MB, 7 pp. Allegro (EU) 10 10 After his father's death in 1750, Carl Philipp Emanuel inherited some of the original performance parts, likely doubles, of the concerto (surviving: parts for soloists and continuo), 0.0/10 - 0.0/10 - 4 10 10 6 10 1" ("Lodronische Nachtmusik") (1776), Five Divertimentos (25 pieces) for three basset horns in B, Divertimento for two horns and strings in F major, ", March and Divertimento in C major; the music title when the two marches of K. 214 are played before and after the three movements of, String Quartet No. Brandenburg Concerto 8 41". 0.0/10 *#37611 - 0.45MB, 4 pp. 8 4 The whole will be engraven in a neat Character, printed on Good Paper, and ready to deliver to Subscribers by April next. (-)- V/V/V - 4377 - Perlnerd666, Cellos and Basses John Clarke (2011/9/5), Oboe 2 Bach cantata 6 8 2 2 17, K. 334) (1780), Cassation in G major, K. 63, first movement march (1769), Divertimento No. - (-)- !N/!N/!N - 588 - John Clarke, Clarinet 1 (B) 0.0/10 2 4
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